I produce large scale technological artworks, from the first contact to the de-install.

hyvn /ˈheɪv(ə)n/

noun [ C ]

[FILE_0001] Quiet Ensemble — Firmamento — Luz Madrid 2026

[FILE_0002] Studio Lemercier — Lightfall — Superblue Miami

[FILE_0003] Karolina Halatek — Relic — Noor Riyadh 2025

[FILE_0004] Plastique Fantastique — Double Heart — Noor Riyadh 2025

[FILE_0005] Quiet Ensemble — Solar Dust — Noor Riyadh 2024

[FILE_0006] 1024 Architecture — Écrin — Sharjah Light Festival 2026

[FILE_0007] Ofer Smilansky — Khorus — 2022

[FILE_0008] Cadie Desbiens-Desmeules ft. Tetsuji Ohno — Influenced — Lev Festival

[FILE_0009] Studio Lemercier — Cosmos.1999 — Core Festival

[FILE_0010] Quiet Ensemble — Vertical Horizon — Noor Riyadh 2022

[FILE_0011] Studio Lemercier — Prairie — Outdoor

[FILE_0012] Pablo Valbuena — Gyrotope — Nuit Blanche 2022

[FILE_0013] Plastique Fantastique — Double Heart — Noor Riyadh 2025

[FILE_0014] Romain Tardy — Brain Dance — Fête des Lumières 2024

[FILE_0015] Studio Lemercier — Compositions Lumineuses — Llum Barcelona

[FILE_0016] Studio Lemercier — Compositions Lumineuses — Llum Barcelona

[FILE_0017] Cadie Desbiens-Desmeules — Life in a Box — Fabric London

[FILE_0018] Patrick Tresset — Human Study, La classe — Le Cube Garges 2023

[FILE_0019] Cadie Desbiens-Desmeules ft. Tetsuji Ohno — Influenced — Lev Festival

[FILE_0020] Studio Lemercier — Prairie — Biennale Miroir d’Enghien

[FILE_0021] Quiet Ensemble — Light Rain — SOMA Architects

[FILE_0022] Studio Lemercier — All the Trees — FDL Lyon 2023

[FILE_0023] Quiet Ensemble — Vertical Horizon — Noor Riyadh 2022

[FILE_0024] Studio Lemercier — Lightfall — Superblue Miami

[FILE_0025] Romain Tardy — The Great Indecision Council — Noor Riyadh 2024

[FILE_0026] Studio Lemercier — Cosmos.1999 — Uncloud

[FILE_0027] Ofer Smilansky — Memory of a Place — Festival Artonov

[FILE_0028] Nicolas Paolozzi — Lotus + Hydra — Sharjah Light Festival 2026 (©Alban Guerry-Sire)

[FILE_0029] Cadie Desbiens-Desmeules — Alter-Ego — Le Cube Garges 2023

Production direction

Direction of production from concept to delivery: budgets, contracts, fabrication, freight, customs, install, unveiling, public authorizations, technical certifications. One accountable partner across the whole chain, including long-run exhibitions and high-constraint environments (extreme climate, tight timelines, large scale).

Artist relationships

I support a close circle of established international artists in light, digital and monumental art. Long term, trust-based collaborations: sometimes as their production partner on a single project, sometimes as their embedded studio manager over years. A network built on shared work.

Multi-artist productions

For festivals, cities and cultural seasons: a program assembled from the artists I work with, one work per site, matched to a budget, a timeline, a local reality. The organiser deals with one person instead of five studios: one contract, one planning, one production carried across all the works, on site until the last unveiling. Everything that can be mutualised is.

and 20+ more across Europe and beyond.

Firmamento by Quiet Ensemble
Luz Madrid Festival 2026

06_ABOUT & CONTACT

I grew up in the French countryside with slow internet and fast obsessions: design, architecture, music, video games, extreme sports, always with some technology layered on top.

Entrepreneurship studies in France, design studies in Canada, then a door opened: TETRO, 2017. Four years spent in the middle, between brands, artists, institutions, festivals, producers, learning how complex things actually get made.

In 2021, mid-covid, I started working under my own name. More than fifty installations across fifteen countries since, from Europe to the Gulf to the Americas. Along the way, the industry became familiar terrain. A lot of nights in half-built venues, keeping artists and technicians steady while twenty technologies find new ways to fail before an opening.

I work hand in hand with artists, often embedded inside their studios. Somewhere between a producer, a studio manager, and the person the artists hand the pressure to.

hyvn is the network we assemble around each project. Artists come with their own teams and trusted collaborators; I complete the picture where something is missing: a fabricator, a rigger, a shipper, a curator. Configured differently every time.

Backstage is where I've always felt best, because of the view. Backstage is also the projects themselves: the budgets, the negotiations, the artist hierarchies, the cultural differences. I spend just as much time there. I'd like hyvn to also become a place to talk about all this, among ourselves: artists, producers, festivals, commissioners, new-comers, everyone doing this work together.